
In 1975, teenage girls did not play in rock bands. They did not sing sexually enticing songs. If anything, they sang slow, sappy love songs, just like ones their parents listened to. Then along came the Runaways.
The Runaways, a new biopic of sorts by writer-director Floria Sigismondi, shows a potentially interesting story, but is peopled with some not-so-interesting characters. It is the story of one of the first successful female rock singers, Joan Jett (Kristen Stewart), and her band, The Runaways, which began their career with Cherie Currie (Dakota Fanning) as their lead singer.
During the course of the film, only Jett and Currie receive most of the attention from Sigismondi. The other three band members stay in the background, as obscure as Jett and Currie are one-dimensional. At first, Jett and Currie seem like little more than self-absorbed, sullen, spoiled teens. At the end, they are self-absorbed, sullen, spoiled teens who have experienced fame, drugs, sexual freedom and adulation. But they're still not interesting.
The one glistening light in The Runaways Michael Shannon's role as Fowley, the snide, vicious, conceited, over drugged, and oversexed manager of The Runaways. His superb acting was utterly unlike anything else in the film.
Overall, The Runaways is a tale we've heard 100 times, like another three-chord bar-band rock anthem: the ascent, decent and demise of you name it. A band. A career. An enterprise.
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